All works featured are from Milton Simpson’s Folk Erotica: Celebrating Centuries of Erotic Americana (1994). The first row contains erotic art from the indigenous peoples of North America (Simpson, 1994). The earliest images show the male virility and ability to conquest (Simpson, 1994). The later creation of pipes incorporated cleverness, homoeroticism, and anal intercourse (Simpson, 1994).
The bottom row features artwork created by the colonial settlers of North America. There was a resurgence of sexual trends at the start of the 20th century that challenged the Victorian morals of the time before (Simpson, 1994). Social rules changed and became more relaxed, movies showed male and female leads, and bar halls opened for dancing and drinking (Simpson, 1994). The fifties and eighties/nineties are two eras where American settlers experienced a push back to the liberal growth of the eras just before them (Simpson, 1994). People perceived the sexual expression to be a loosening of morals due to the expansion of the pornography industry and the start of the AIDS epidemic (Simpson, 1994). From the sexual revolution and rights fought for in the sixties, erotic folk artwork grew, and self-taught artists became famous (Simpson, 1994).